A story of a little girl Verka and her life during the beginning of WWII. Based on Vera Sládková novels.

The chilling story of a young American boy living in France in 1918 whose father is working for the US government on the creation of the Treaty of Versailles. What he witnesses helps to mold his beliefs – and we witness the birth of a terrifying ego.

Busan local Tae Jung who is studying English in Seoul, and his roommate In Gyu meet a girl named Ji Hye. Next day, while waiting for Ji Hye's phone call, Tae Jung suspects that In Gyu's night out might have some connection to Ji Hye.

A refrigerator truck with naked bodies of four females is found on the border of Finland. Each of the girls share the same neck tattoo that resembles a house. The identities of the the girls are yet to be found. Three years later, the police arrest Valeria Mazyane, an orphaned girl and a recent Islam convert who lives in Moscow in a Kyrgyz immigrant community. The police believe she killed her husband’s brother. It turns out that Valeria is not an orphan after all, and her past is as mysterious as the man’s murder. And under her wedding hijab, there’s a familiar house tattoo.

While awaiting his release from the Soviet detention camp he is being held in, a half-starved refugee (Andras Ambrus) finds that an error has been made and his name is not on the to-be-released list. It is then that he is forced to assume the identity of a dead man whose name is on the list. Ambrus at first refuses, but because he was an orphan and cannot produce evidence of his true identity, he has no other choice. However, when he returns to the outer world and the community he was raised in, he is greeted with suspicion. When he tries to claim his part-ownership of a farm from his adopted uncle, he is refused and beaten by farmhands the uncle sets on him.

An elderly woman learns that she is dying of cancer. She and her husband leave their small farm on the Isle of Skye to visit their children to inform them of the news. During the journey, the couple rediscover their love for each other.

An inventory of lost memories and places, the sun bleached landscape of Saskatchewan serves as a metaphor for displacement, a framing of emptiness and absence. Traveling to forgotten towns and channeled through old family photographs the camera catalogs the haunting remnants of the past, frail monuments and communities laid bare, broken under economic collapse. Under the weight of the prairie skies a visceral, personal encounter is revealed in the solace of open space.

An inventory of lost memories and places, the sun bleached landscape of Saskatchewan serves as a metaphor for displacement, a framing of emptiness and absence. Traveling to forgotten towns and channeled through old family photographs the camera catalogs the haunting remnants of the past, frail monuments and communities laid bare, broken under economic collapse. Under the weight of the prairie skies a visceral, personal encounter is revealed in the solace of open space.

On holiday, with his family, nothing to do and his wife ill, Sasha (Alexander) is only too pleased to meet again the girl he loved at 17.

Manoel de Oliveira's autobiographical documentary about returning to his hometown.